对于《唐山大地震》的上映，期待已久。
22日晚间，走进了电影院。事先早已备好纸巾，然而，当幕尾王菲的《心经》响起时，纸巾完好无损，只任眼泪自然流淌，两颊留下清晰印记。
默默地离开电影院，走在深夜的大街上，久久不能消散的，是电影带给我的震撼。
记忆
76年地震的特效还原，触动更多的，是对08年“汶川大地震”的伤痛记忆。
山崩地裂，房屋顷刻倒塌，生命转眼被无情吞噬，真情在危机中的释放……影片还原地震带来的视觉震动，不得不让我在那一刻，勾起亲历5.12的伤感与叹息。
记忆，是电影强加给我的一项符号，也是串联电影的一根主线。女儿因为那忘不掉的回忆，记恨母亲三十二年；母亲因地震中对丈夫、女儿愧疚的印记，守望废墟三十二年。
亲情
电影所彰显的人文关怀，让我数次动容。尤其是，剧中对“亲情”的刻画，让我增添了很多对父母、亲人的思念和愧疚。
剧中母亲抚养儿子所表现的坚毅，为完成自我救赎而坚守破房中的固执，触动我心灵的，是母爱的伟大；
养父在生活中对女儿无微不至的关心，面对消失五年的女儿的牵挂以及留下的凄凉背影，折射出来的，是父爱的纯真；
养母临终前的嘱托，以及表现出来的坚韧，撞击我的，是那些默默付出的亲情；
……
坚强
在电影中，无时无刻都表现出的，还有“坚强”。
母亲是坚强的，为完成对婆婆的承诺，为回馈对丈夫的感激，为省视对女儿的亏欠，用一生的担当，独自守望着心中的废墟；
养父是坚强的，支持女儿寻找亲人，默默忍受对女儿的思念与孤独；
儿子是坚强的，以残疾的身躯，始终想着为母亲分忧解难，开创着属于自己的事业；
女儿是坚强的，虽纠结于儿时的“忘不掉”，但始终怀着对生命的尊重，始终藏着感恩的心。
……
剧中的“他们”，都是坚强的。
或许，这部电影有一些不足，比如广告元素的植入等。但是，他能带给我们对人文主义的重新追索、对亲情的思考、对生命的尊重等等，已经足够了，不应过于吹毛求疵。
看《唐山大地震》，得到的并不是“形式”，颤动的不只是身体，而是灵魂……
英文版：
For the release of "Tangshan earthquake", we have been looking forward to it for a long time.
On the evening of the 22nd, I went into the cinema. The tissue had been prepared in advance. However, when Faye Wong's "Heart Sutra" sounded at the end of the screen, the tissue was intact, leaving a clear mark on her cheeks.
Quietly left the cinema, walking in the street late at night, for a long time can not dissipate, is the shock of the film to me.
memory
The restoration of the special effects of the 76 year earthquake, touched more, is the painful memory of the 2008 "Wenchuan earthquake".
The collapse of the mountains and the earth, the collapse of houses, the ruthless swallowing of life in the twinkling of an eye, the release of true feelings in the crisis... The film restores the visual shock brought by the earthquake, and I have to recall the sadness and sigh of 5.12 at that moment.
Memory is not only a symbol imposed on me by the movie, but also a main thread of the movie series. Because of her unforgettable memory, her daughter hated her mother for 32 years; Because of her guilt for her husband and daughter in the earthquake, her mother watched the ruins for 32 years.
family affection
The humanistic care shown in the film moved me several times. In particular, the depiction of "family affection" in the play adds a lot of missing and guilt to my parents and relatives.
In the play, the mother's perseverance in raising her son and her stubbornness in sticking to the broken house for self salvation touch my heart, which is the greatness of maternal love;
The adoptive father's meticulous care for his daughter in his life reflects the innocence of his father's love in the face of his concern for his daughter who has disappeared for five years and his miserable back;
My adoptive mother's instructions before her death, and her tenacity, hit me with those silent family affection;
……
firm
In the film, all the time to show, and "strong.".
The mother is strong. In order to fulfill her promise to her mother-in-law, to give back her gratitude to her husband, and to save her debt to her daughter, she has to bear the responsibility of her whole life and watch the ruins in her heart alone;
The adoptive father is strong, supporting his daughter to find relatives, silently enduring the missing and loneliness of his daughter;
The son is strong, with a disabled body, always want to share his mother's worries and difficulties, and create his own career;
Daughter is strong, although entangled in childhood "can't forget", but always with respect for life, always hide the heart of Thanksgiving.
……
"They" in the play are all strong.
Perhaps, the film has some shortcomings, such as the implantation of advertising elements. However, it is enough that he can bring us a new pursuit of humanism, thinking of family affection, respect for life and so on. We should not be too critical.
Looking at "Tangshan earthquake", what we get is not "form", what vibrates is not only the body, but the soul
